Interrupt 3, Maximum Sideline

Interrupt 3: Maximum Sideline: Postscript
Anna-Sophie Berger, Francesca Capone, David Court, Ian Hatcher, Jesse Hlebo, Sophia Le Fraga, Alex Turgeon, Clement Valla
March 13 – April 7, 2015
270 Westminster Street, Providence, and the Cohen Gallery, Perry and Marty Granoff Center for the Creative Arts, Brown University

Organized by Francesca Capone and Tabitha Piseno

Interrupt is an annual academic conference hosted by the Digital Language Arts program in the Department of Literary Arts at Brown University. The event explores digital language-based works from a wide range of communities in art, literature, games, music, and computation. Interrupt aims to break through the conventions of self-selecting and self-referring academic conferences, to put researchers in conversation with working artists, poets with programmers, game designers with experimental performing artists. Maximum Sideline: Postscript was organized in tandem with the third edition of the conference.

Each artist produced a work for the exhibition and a component for print or screen. The publication components are listed below and gathered on the Publishing page.

Throws
Ian Hatcher

Primary Source
Francesca Capone
PDF

Jesse Hlebo, In defense of, 10 ideological texts

(Holy Bible (King James Version), War Is A Force That Gives Us Meaning (Chris Hedges), The General Theory of Employment, Interest, and Money (John Maynard Keynes), Philosophy of Right (Georg Hegel), Multitude: War and Democracy in the Age of Empire (Antonioni Negri/Michael Hardt), The Phenomenology of Mind (Georg Hegel), Atlas Shrugged (Ayn Rand), The Torah, The Communist Manifesto (Karl Marx), Capitalism and Freedom (Milton Friedman)), threaded rod, washer’s, nut’s, spray paint